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Good poetry stops us in our tracks, visited as we are by whatever it is that has stopped the poet in his tracks. This agency may properly be, as in Walcott's case, something stemming from cultural marginality, from a fascination with the dramatic, from an equipoise between the lyrical and the epical, or from the interweaving of all these. (From the Eureka Street archives)
In my part of the world, the earth has begun to awaken from its winterlong sleep. The colours of the day are changing and the earth and its attendant branches of family are blooming into beauty.
Emma's story offers an unflinching glimpse into the brutality of colonial Australia. While it’s worth celebrating the undeniable social progress made since Emma braved the voyage to Australia, we must resist the temptation to see our history of violence as consigned to the past.
The Lion King roared onto screens 30 years ago, capturing hearts unlike any Disney film since. But as the entertainment giant stumbles, it's worth considering the enduring magic of Simba's story and why modern Disney has struggled to recapture that spark.
None of us — even those experiencing vulnerability, whether temporary or resulting from a permanent infirmity of some kind — should be perceived as an object of protection; instead, each one of us is a collaborator in our own care, and in the care of others.
These unpublished treasures of my father’s are sure to strike a chord amongst those readers whose hearts wander among the more hidden byways, as I have discovered within myself.
For decades, unchecked corporate power and policy failures have driven up Australia's cost of living, leaving many Australians struggling. As corporate interests dominate, CEO pay increases dramatically while wages stagnate, and inflation rises. This influence of corporate Australia has eroded economic safeguards, dismantling the guardrails that once protected the common good.
Once upon a time it was fairly easy to distinguish fact from fiction, but now journalists in particular regularly merge the two. We are now forced to cope with notions such as alternative facts and the post-truth era. I, for one, cope badly with both, with this twisting of what I would like to be an essential and straightforward matter.
That leaden weight in my chest is back. My self-diagnosis is heartache, and once upon a time I thought I'd get to the stage at which this heaviness would leave me for good, but I know now that this is never going to happen, at least not as long as I am engaged in my back-and-forth movements between Greece and Australia.
The telling of stories is at the heart of making a new world. They have inherent within them seeds of many possible futures, that take root in the most rocky of soils and surprising places of uncertainty, creating strongly blooming imaginations that have decided to live for ever.
Once upon a time, usury was considered a sin and lending was subject to strict controls. Now, the world is in the grip of usury. It cannot continue. At some point it will have to be retired, or swapped to equity. A good place to start is third world debt, which is the most immoral variant.
The state doesn't have an opinion on whether God approves of the union because theocracy went out of fashion in the West, along with the Divine Right of Kings. These days in Australia, the state doesn't even care to enforce sexual exclusivity of partners, although once upon a time that was a major element of marital law. Divorce is all about distribution of assets and establishing proper care of the kids. So why the brouhaha over marriage for gay people?
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